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第12届FIRST影展“剧情短片”单元提名影片《榴莲榴莲》

杨潇,编剧、导演,1989年生于广西桂林,毕业于上海大学电影MFA。其作品《动物园》、《霹雳香蕉》入围多个国际影展并获奖。

导演

导演

剧照

剧照

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榴莲榴莲

Chronicle of a Durian

非首映

Non-Premiere

中国 | 2018 | 彩色 | 18分钟 | 剧情

China | 2018 | Color | 18min | Fiction

导演/编剧/剪辑 | 杨潇

摄影 | 王籽璇

美术 | 杜尚乐

音效 | 刘昕

音乐 | 王尧

演员 | 孙浩然、栾蕾英、宁怡、钟倍尔

导演简介

杨潇,编剧、导演,1989年生于广西桂林,毕业于上海大学电影MFA。其作品《动物园》、《霹雳香蕉》入围多个国际影展并获奖。曾担任《路边野餐》执行导演和分镜头设计工作。电影项目《底片》已在前期开发阶段,并于2016年入选上海国际电影节电影项目创投最具潜力视野奖、威尼斯国际电影节市场单元特别推荐项目等。

Director's Biography

Yang Xiao, Screenwriter & Director, born in 1989, was just graduated from Shanghai University for the Master Degree of Fine Arts Program in Filmmaking. In 2013, he finished his debutThe suspended Step, which won Prix Du Jury Award of the Asian International Film Festival in Tours. Then he completed short filmDancing Together, which was nominated to several film festivals such as Kolkata, Delhi. Yang Xiao also took part in some art house films as Assistant Director and Storyboard Designer for more practical experiences, such asKaili Blues andAt the Dock. His new featureShan Shuiis currently in pre-production, which has been granted ‘Fresh Horizon Award’ at SIFF Project and selected to Venice Gap-Financing Market at 74th Venice Film Festival.

导演阐述

梦中人从来不是“那个人”。我们更愿意与陌生人分享欲望,到对岸偷渡人生。

Director’s Statement

The girl in the dream is never ever the one in the heart. We are more willing to share desire with the stranger, secretly voyaging to the other side of life.

剧情简介

一个雨天,深受念想折磨的落魄中年人张新在认识一个陌生女孩后,不由自主地走近了她,却发现这个陌生女孩,便是念想本身。

Synopsis

On a rainy day, Zhang Xin, a middle-aged man who suffers from obsession deeply, meets a young and strange girl. He can't help but walk towards her... This bubble remains until the girl turns out to be the obsession itself...

“关于身份错位的戏中戏。男女主角暧昧的情愫之间,是虚虚实实的维 度界限。作者带着语言突破的勇气,讲述了一个可以让观众重组的新颖故事。”

“This is a story-within-story about identity misplacement. The vague feeling between the male and the female represents the boundary between false and true. Bravely breaking the tradition of cinematic language, the filmmaker tells a story which can be rebuilt by the audience.”

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责任编辑:枯川